抽象的图像是通过对自然与日常痕迹的直接研究而获致的素材。在细微,不经意之处,那些似乎突然静止的瞬间总是被忽略,因此我们被训练得只能由一个角度去观测到非常有限的局面。当在图像规模的对比与虚实交错之间,宏观与微观的尺度变得模糊,现实的经验将被推翻。同时,我们重新设置了摆脱现实的自 由力量,这个由自我观测及构建的有限的空间,会通过知觉的扩展与想象的能力,将受限的空间扩张到一个包容无穷无尽的空间。一如自然只把表面丰富的景观展示给了我们,而最为深刻与有效的部分却隐藏在背后,而这些展示图像也仅仅是一层覆盖在物体表面的纱,一种虚幻的介质,并非终将抵达的旅途终点。



Abstract images are the result of a direct study of nature and everyday traces. In the subtle, casual place, those moments that seem suddenly to be static and always be ignored, so we are trained to observe things only from one angle. Between the contrast of the scale of the image and mixed with real or virtual,the macro and micro are no longer to be a deliberate scale, then the realistic experience will be overturned. At the same time, we have re-established the freedom power from reality. This self-observation and construction of the limited space, will through the expansion of perception and imagination, expanded the limited space into an infinite space. As the nature only show the rich landscape to us from the surface, and hidden behind the most profound and effective part. Also these images is only a layer of yarn covering the surface of the object—— a fantasy medium, not the end of the journey.


                                                  

                                                   Download PDF


All images and texts copyrights © 2013-2018 Xiaoyi Chen