山峦会记住一切
The Mountains Will Remember Everything
(2021-2025)
The Mountains Will Remember Everything
(2021-2025)
三频道红外录像
Three-channel infrared video
左到右 Left to right: 20’14’’, 31’12’’,39’46’’
Three-channel infrared video
左到右 Left to right: 20’14’’, 31’12’’,39’46’’
本作品源于陈萧伊2021至2025年间在横断山脉安置的红外相机影像档案。
装置构建了三个平行的时空视域：左屏逆流，时间倒序回溯，呈现被风雨误触的空镜，是对消逝与缺席的考古；中屏顺时，展现林间生命的线性流逝与生息；右屏乱序，投射出黑夜中无时间刻度的混沌与凝视。
红外相机是机械之眼，但它确立了世界的“在场”，时间被重新折叠。作品试图超越人类中心视角，揭示自然界一种恒常轮转的秩序。在无情的地质变迁与人类的遗忘之外，山峦作为巨大的记忆体，沉默地接纳了所有的“有”与“无”。
装置构建了三个平行的时空视域：左屏逆流，时间倒序回溯，呈现被风雨误触的空镜，是对消逝与缺席的考古；中屏顺时，展现林间生命的线性流逝与生息；右屏乱序，投射出黑夜中无时间刻度的混沌与凝视。
红外相机是机械之眼，但它确立了世界的“在场”，时间被重新折叠。作品试图超越人类中心视角，揭示自然界一种恒常轮转的秩序。在无情的地质变迁与人类的遗忘之外，山峦作为巨大的记忆体，沉默地接纳了所有的“有”与“无”。
Derived from the artist's infrared camera archives installed in the Hengduan Mountains between 2021 and 2025, this installation constructs three parallel spatiotemporal horizons.
The Left Screen flows in reverse, retracing time chronologically to present "empty frames" triggered by wind and rain—an archaeology of disappearance and absence. The Middle Screen follows linear time, depicting the natural flow of life and breath within the forest. The Right Screen plays in disorder, projecting a chaotic, timeless gaze into the night.
The infrared camera acts as a mechanical eye, yet it establishes the world's "presence," refolding time itself. The work attempts to transcend the anthropocentric perspective, revealing a "constant order of rotation" in nature. Beyond ruthless geological shifts and human oblivion, the mountains stand as a colossal body of memory, silently accepting all presence and absence.
The Left Screen flows in reverse, retracing time chronologically to present "empty frames" triggered by wind and rain—an archaeology of disappearance and absence. The Middle Screen follows linear time, depicting the natural flow of life and breath within the forest. The Right Screen plays in disorder, projecting a chaotic, timeless gaze into the night.
The infrared camera acts as a mechanical eye, yet it establishes the world's "presence," refolding time itself. The work attempts to transcend the anthropocentric perspective, revealing a "constant order of rotation" in nature. Beyond ruthless geological shifts and human oblivion, the mountains stand as a colossal body of memory, silently accepting all presence and absence.
展览现场，千高原艺术空间，成都，中国
Exhibition view, A Thousand Plateaus Art Space, Chengdu, China
All images and texts copyrights © 2013-2026 Xiaoyi Chen